Via: "Brian Knep"

.
That web address should be:

http://www.fas.harvard.edu/~ofa/programs/artists/pubart.htm

Sorry!

And if you're interested in the residency:

http://www.fas.harvard.edu/~spectrum/past_spectrums/2005/fall05/artknep.htm
http://www.fas.harvard.edu/~spectrum/past_spectrums/2006/spring06/pubart.htm


-Brian

---------- Forwarded message ----------
From: Brian Knep
Date: Mar 29, 2006 10:06 PM
Subject: [event] Deep Wounds: a large-scale, site-specific,
interactive installation - Harvard University
To: nettime-ann@nettime.org


Office for the Arts at Harvard and Department of Systems Biology present

DEEP WOUNDS
A PUBLIC ART INSTALLATION BY BRIAN KNEP
April 6 - April 23, 2006
M-F 9 am-7 pm; Sa 2-5 pm; Su 3-5 pm
Memorial Hall, 45 Quincy Street, Cambridge

Tuesday, April 11, 6 pm, ARTIST TALK
Division of Engineering and Applied Sciences
Maxwell Dworkin G115, 33 Oxford Street, Cambridge
Sponsored by Learning From Performers
Admission free and open to the public

Brian Knep's work spans the realms of art, technology and science.
Inspired by the architecture and history of Memorial Hall, the
artist's work at Harvard explores the territory of healing---as a
physical, psychological and spiritual space---and addresses
reconciliation across the divides that separate us.

The Knep residency is co-sponsored by the Office for the Arts and
Department of Systems Biology, and supported in part by the Provost's
Fund for Interfaculty Collaboration and the Marshall S. Cogan Visiting
Artist Fund.

http://ww.fas.harvard.edu/ofa/programs/artists/pubart.htm

Via: "Ana Buigues"

.

For those interested and in NYC.

Ana


-----Original Message-----
From: Zhenia Stadnik [mailto:zstadnik@cecartslink.org]
Sent: lunes, 27 de marzo de 2006 17:34
To: Zhenia Stadnik
Subject: CEC ArtsLink Talks on April 5th: Intermedia Art - Davide Grassi presents the work of Aksioma





Intermedia Art

Davide Grassi presents the work of Aksioma,
the Institute for Contemporary Arts in Ljubljana, Slovenia







Wednesday, April 5
6:30-7:15 pm Presentation by Davide Grassi
Reception to follow
Space is limited, please respond by March 31 to Zhenia Stadnik at 212/643-1985 x26 or zstadnik@cecartslink.org


Presented in collaboration with the Consulate General of Slovenia
with support from the Ministry of Culture of the Republic of Slovenia



Davide Grassi leads Aksioma, the Institute for Contemporary Arts in Ljubljana, Slovenia, which promotes projects using new
technologies to investigate the structures of modern society. Aksioma concentrates on artistic production that explores social,
political, aesthetic and ethical concerns, and uses the Internet as a creative laboratory for the exchange and distribution of
ideas and knowledge.

Grassi is the author of numerous videos, performances, installations, documentaries and new media works. He is a co-founder and
member of the multimedia BAST Collective as well as of the open research platform for interventions in public spaces, SilentCell
Network.

He has presented his work worldwide in several exhibitions, festivals and lectures among them, Manifesta 4, Frankfurt, Germany;
ZKM – Zentrums für Kunst und Medien-technologie, Karlsruhe, Germany; ARCO – the International Fair of Contemporary Art, Madrid,
Spain; ISEA 2002 – the 11th International Symposium of Electronic Art, Nagoya, Japan; the Biennial of Buenos Aires, Museo Nacional
de Bellas Artes, Buenos Aires, Argentina; Art.ficial Emotion 2.0 – Technological Divergences, Itaú Cultural, Sao Paulo, Brazil;
List Art Center, Brown University, Providence, U.S.A.; IASPIS, Stockholm, Sweden; the Slovene Museum of Contemporary Arts,
Ljubljana, Slovenia; MNAC – National Museum of Contemporary Art, Bucharest, Romania; Kiasma, Museum of Contemporary; Helsinki,
Finland.

Aksioma's activities are supported by the Ministry of Culture of the Republic of Slovenia and the Municipality of Ljubljana.
CEC ArtsLink Talks... provides a forum for artists and arts professionals to present their work and to stimulate discourse about
contemporary issues in the arts. At CEC ArtsLink every other month.

CEC ArtsLink
435 Hudson Street, 8th Floor
New York, NY 10014
T: 212 643-1985
F: 212 643-1996

Between Leroy and Morton Streets
Please note that the building management requires all visitors to present a photo ID.




Zhenia Stadnik
Communications and Events, Manager
CEC ArtsLink

435 Hudson Street, 8th Floor
New York, NY 10014
212/643-1985 x26
212/643-1996 (fax)

Via: "Stephen Kovats"

.

Tangent_Leap: Online V2_Event
Emergent Media Culture in the People=92s Republic of China

featuring
Isaac Mao, activist blogger and software architect, Shanghai
Zhang Ga, media artist and curator, Beijing/New York
Karsten Giese, political scientist and sinologist, Hamburg
Guobin Jang, social scientist, New York online

Thursday March 30
19.00 - 22.00 (CET - Central/Western Europe)
13.00 - 16.00 (EST - New York)
10.00 - 13.00 (PST - San Diego)
02.00 - 05.00 (Shanghai + next morning)

V2_Institute for the Unstable Media
Eendrachtstraat 10/12, Rotterdam
in collaboration with IIAS (International Institute for Asian Studies,

Leiden)

For those unable to join us at V2_ this event will be streamed live
(REAL MEDIA) with a moderated IRC channel open for debate, interjection

and commentary at via www.v2.nl/live.

Over the last few years, The Great Leap, has become a popular metaphor

to describe the fast-paced modernization process in China. However, in

spite of the turbulent economic growth some domains of Chinese society

have changed very little during the past two decades. Many Chinese have

seen their private freedoms increase significantly. But, critics would

argue that the official policies of =91opening up=92 have neither =
changed
the political system nor the state control of public media. Others
claim that new social spaces have emerged for citizens to voice their
opinion and take action. The use of bottom-up media such as the web,
e-mail and sms have enabled people to self-organize creating a new form

of middle landscape, somewhere between the official media landscape,
and the private sphere. Minor reform rather than total revolution marks

the cautious pace of such development.

Nowhere has this middle landscape become more clear than in the new
forms of media culture that have also exploded in China over the last
few years. Weblogs, bulletinboards, peer-to-peer distribution and
chatrooms have made the traditional sharp division between public and
private lives problematic. While most of the over 100 million Chinese
citizens currently online are using electronic networked media for mere

entertainment, many employ a number of tactics to find or distribute
information outside the official media system. In this middle
landscape, or third places, news ways of constructing identities are
emerging. And while the line between political public sphere and
commercial arena for entertainment is also becoming blurry, new
landscapes for discussion are opened up. Is this the beginning of a
true civil society in China, emerging from these new middle grounds?

Isaac Mao (co-founder Social Brain Foundation, Shanghai) is one of
China=92s earliest and most prolific media activists using blogs as a
grassroots voice-enabling technology and emergent democracy tool. He
divides his time between research, leading the

Via: "Jon Phillips"

.

An excellent show this WED @ Rx in San Francisco by SFAI's own, Jeff
Hoefs.

Jon

> Our latest creation, Scala Media, is included in the "Fertile Grounds"
> exhibition, which opens at Rx Gallery this Wednesday (more info below).

> We hope to see you there. The show runs through April 29th so if you
> can't make the opening, feel free to drop by at a later time (Rx
Gallery
> is open Wed - Sat 2-6pm).
>
> Best,
>
> Jeff Hoefs and Peter Chester
>
> FERTILE GROUNDS: A survey of New Media Art in the Bay Area
>
> RX Gallery
> 132 Eddy Street @ Mason
> San Francisco, California 94103
>
> March 29 April 29, 2006
> Opening Reception Wednesday, March 29, 6-10P
>
> JIM CAMPBELL, JIM HAYNES, JEFF HOEFS & PETER CHESTER, KRISTIN LUCAS,
> HENDRIK LEPER & STIJN SCHIFFELEERS, SEAN TALLEY, MARY ELIZABETH
YARBROUGH
>
> Fertile Grounds is a survey of current New Media work in San Francisco
by
> Bay Area artists. The exhibition examines a diverse cross-section of
> practices and themes at the forefront of San Francisco's pioneering
> artistic community. Included works are from both established and
emerging
> artists who find themselves immersed in a diverse mixture of cultural
> factors; a mixture uniquely conducive to New Media Art.
>
> Defined by a half-century of activism and counterculture, San
Francisco
> exists within the American social and political landscape as an
autonomous
> zone. It is a place where lifestyle is reinvented with an emphasis on
> personal freedom and cultural cognizance. Alternately, San Francisco
is
> known for its denizen's accelerated relationship with technology. A
> product of its proximity to Silicon Valley, the city is a playground
for
> new technologies. A place where technology is applied to human
problems
> and integrated into increasingly digital lifestyles.
>
> The exhibited artists in Fertile Grounds combine and manipulate
> technologies into synthetic mediums, rendering phenomena that are
dynamic
> and multi-modal. These artists are functioning in a mode approaching
the
> pre-Renaissance ideal of the natural-philosopher, a mode epitomized by
the
> re-unification of artistic and scientific roles. They continue a
tradition
> of multi-disciplinary thought and they create the next step in the art
> worlds continuing evolution.
>
> ____________________
>
> links to images:
> http://66.245.251.229:16080/~soundanalogous/images/IMG_0565.jpg
> http://66.245.251.229:16080/~soundanalogous/images/IMG_0540.jpg
>
>
>
>

Via: "Friedrich von Borries"

.

please feel free to forward to colleagues, lists, blogs...apologies for

cross postings,

thanks & best regards,

friedrich von borries
steffen p. walz
ulrich brinkmann
matthias b=F6ttger


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
***Call for Book Contributions and Project Presentations***


SPACE TIME PLAY
Games, Architecture, and Urbanism.


ABOUT SPACE TIME PLAY
What is computer and video game space =96 and: is there an architectural

history of
game space-time? How do architectures, city spaces, and landscapes
change when
they are transformed into physical game boards, or when they become an

extension
of a desktop computer game? How can architects and urban designers
apply games
and game technologies as tools for drafting and planning?

Across 500 pages, the edited book publication Space Time Play will
investigate these
questions by compiling designs, best practice examples, as well as
essays,
interviews, succinct statements, and game space analyses.

The editors have already confirmed contributions to Space Time Play by
internationally renowned theoreticians and practitioners, including:
Gerhard M.
Buurman, Kees Christiaanse, Drew Davidson, Alberto Iacovoni, Jesper
Juul, Heather
Kelley, Neil Leach, Lev Manovich, Jesse Schell, Mark Wigley, and Eric
Zimmerman.
Space Time Play will not only feature these authors, but also aspiring

players from
the fields of architecture, urbanism, game design, game studies, and
the arts. These
researchers and artists will present their thoughts, games, and/or
theme related
works and designs.

The editors are looking for contributions to Space Time Play in the
form of essays,
project descriptions, and statements. We would like to ask potential
contributors to
consider the following questions, which are shaping the three main
sections of Space
Time Play. Please note the submission requirements and procedure in the

bottom of
this call.


1. THE ARCHITECTURE OF COMPUTER AND VIDEO GAMES
A Brief Space Time History of Interactive Entertainment.

Theory:
-In which ways are computer and video games constructed spatially and
architecturally?
-Which games are milestones concerning their spatial quality, and why?
-Which methods of architectural history and theory could be used to
evaluate
the spatial development and spatial quality of computer and video games?
-What is the relationship of game space and game time?
-What kind of experience or method in the field of game design could be
applied to the development and evaluation of architecture and urban
design?
-Which architectural projects should be considered milestones of a new

playful
architecture, and why?
-Which physical architectures have been influenced by computer or video

games?
-In how far do innovations of "real" architecture influence game
architecture,
and vice versa?
-What can architects and level designers learn from one another?
-What kinds of interfaces exist between game design and architectural
design?

Projects:
-You use your game experience to design spaces in the "real" world?
-You are a game designer and your games have been influenced by specific
architectural objects or urban situations in the real world?

We are looking forward to presenting your projects (realized or design

stage,
commercial or artistic).


2. PERVASIVE GAMES
Computerizing Dwellings, Cities, and Landscapes for Play Experiences

The city has always been offering spaces for games and play, for
example stadiums,
coliseums, theaters, playgrounds, or street grid labyrinths. In recent

years, computer
games have progressed beyond the computer desktop and have acquired a
new play
dimension by using areas such as cities, buildings, or parks as playing

fields.

Theory:
-How do mobile games (as well as augmented, hybrid, and mixed reality
play
scenarios) modify the perception and usage of physical space? Whi

Via: "jonCates"

.

THIS THURS 2006.03.30 @ 6 PM:

SHUDDHABRATA SENGUPTA AND THE RAQS MEDIA COLLECTIVE
[FRAY] + Conversations at the Edge
The Gene Siskel Film Center
164 North State Street
CHI IL .US
$ 9 USD

On Thursday, March 9 at 6:00 p.m., Conversations at the Edge will
host SHUDDHABRATA SENGUPTA AND THE RAQS MEDIA COLLECTIVE -- a
presentation and screening by internationally-recognized New Media
artist and organizer Shuddhabrata Sengupta.

Shuddhabrata Sengupta in person!
Shuddhabrata Sengupta and the Raqs Media Collective
Shuddhabrata Sengupta, 1991-2005, India, 60 min.

Shuddhabrata Sengupta is a media-maker, writer, and one of the co-
founders of the Raqs Media Collective, a group of artists working in
new and old media, installations, video, sound, photography and text
based in Delhi, India. Founded in 1991, their hybridized practice is
both rooted in the geography of Delhi and the nomadism of the web.
They are also the co-founders of the Sarai New Media Lab which serves

as their studio, hosts workshops, and maintains www.sarai.net, an
extensive web site containing essays, discussion groups, and
interactive projects investigating the role of media in our
increasingly cosmopolitan world. Raqs has exhibited around the globe,

including the 50th Venice Biennale and Documenta 11. Sengupta will
give a multi-media presentation on his work with Raqs and Sarai,
including MEDIA CITY, PUBLICS AND PRACTICES IN THE HISTORY OF THE
PRESENT, and GARAGE, among others. (www.raqsmediacollective.net)

[FRAY]

Tonight's show is an instance of [FRAY], a distributed series of
screenings, discussions, student initiated projects and a conference.

[FARY] traces intersecting hyperthreads of time, screen and code-
based experimental New Media art hosted by the School of the Art
Institute of Chicago's Department of Film, Video, and New Media.

* Upcoming [FRAY] Discussion in the Department of Film, Video, and
New Media:
WEDS 2006.04.05 @ 4:30 PM New Media in Mexico City, a panel
discussion with Mexico City based curators and organizers Eusebio
Ba=F1uelos, Arc=E1ngel Constantini and Mario de Vega

* Upcoming [FRAY] screening at Conversations at the Edge:
Thursday 2006.05.04 @ 6:00 PM CALCULATIONS: Pioneers of Computer
Animation

* Upcoming [FRAY] Conference in the Department of Film, Video, and
New Media:
Saturday, 2006.05.13 @ 2:00 - 6:00 PM Discussions with Annette
Barbier (UNREAL-ESTATES and Interactive Arts and Media Department
Columbia College), Ryan Griffis (The Temporary Travel Office,
YOUgenics and The School of Art & Design University of Illinois at
Champaign Urbana), Mark Hansen (Professor in English Language &
Literature, Cinema & Media Studies; University of Chicago), Lynn
Marie Kirby (California College of the Arts), PILOT TV, Rob Ray
(DEADTECH and dorkbot Chicago), Lincoln Schatz (OPEN-NODE and The
Upgrade! Chicago) and Daniel Tucker (AREA Chicago).

* Links:
Shuddhabrata Sengupta and the Raqs Media Collective:
http://www.raqsmediacollective.net
http://www.sarai.net
[FRAY]: http://fvnm.info/fray
Conversations at the Edge: http://fvnm.info/cate.html

Via: "basak senova"

.

apologies for any cross-posting..

20
under.ctrl
a project by NOMAD
developed by Basak Senova, Erhan Muratoglu, Emre Erkal
curated by Basak Senova
31 March 2006 > 2 April 2006

http://nomad-tv.net/under_ctrl

FORUM STADTPARK
Stadtpark 1, A - 8010 Graz
http://www.forumstadtpark.at

The project series, under.ctrl, intends to define the interfaces of
contro
l
mechanisms which systematically compose our lives. Interfaces themselves
have become the locus of control by being more effective than their
underlying mechanisms, yet more invisible and subtle in normalizing such
mechanisms which they veil. They operate in various layers of our daily
perception and realization through the re-designing of life styles;
procedures of auto-control; re-perception of histories; generating modes
fo
r
social psychology; constructing communication channels; and particularly
through technological embodiment. The significant influence of these
interfaces, along with the direction and intensity of implicit and
explicit
acceptance and rejection modes, are being detected and questioned
through
subversive activities and reactions in different forms of expressions by
artistic practices. The project follows an empirical method through
various
researches carried out by different artistic practices focusing on
various
kinds of interfaces of control mechanisms operating in the social,
political, economic, cultural, geo-political, and psychological layers
of
our daily lives. In the same line of thought, this project is also an
attempt to detect tactics and rejection mechanisms along with the off
the
record strategies against the pressures and conditions of these
mechanisms
.

under.ctrl graz launch: interfaces of control mechanisms, which is
planne
d
as an event in process with various performance formats, will put
forward
observations on the various aspects of the mechanisms that control our
lives, in connection with their designed interfaces. Throughout these 3
days, Forum Stadtpark will host sound performances, installations and
screenings of works and documentaries (in a definite time frame with a
controlled and composite schedule) along with a panel that will be
publicized after the event. Therefore, it will operate as a platform of
discussion on how these interfaces are shaped and alter our lives in
different local contexts. loosing.ctrl (Turkish-Israeli project) -as one
of
the sub channels of the series- will also be presented with a screening
programme. under.ctrl graz launch will bring a specific emphasis to the
local context through the works of Austrian artists and a local activist
group.

participants
The participating artists of under.ctrl are Nooshin Farhid (Iran/UK),
Hristina Ivanoska (Macedonia) Effie and Amir (Israel/Belgium), Zhou
Hongxiang (China), Ran Slavin (Israel), Anabala (Turkey), Sala Manca
(Argentina/Israel), Ligna (Germany), Erhan Muratoglu (Turkey), Michael
Zinganel (Austria), Pragmatic Sanction (Austria), Vuk Cosic (Slovenia),
Nicole Pruckermayr & IOhannes zmF6lnig (Austria), Yane Calovski
(Macedonia),
FOS (Denmark) and Igor Stromajer & Brane Zorman (Slovenia).

Participating artists of the loosing.ctrl screening programme are Yael
Bartana (Israel), Erhan Muratoglu (Turkey), Ruti Sela & Maayan Amir
(Israel), Can Turkinan & D6zlem Sulak (Turkey), and Hatice Guleryuz
(Turkey)
.

The panelists are Andreas Leo Findeisen (Austria), Marina Grzinic
(Slovenia), Vuk Cosic (Slovenia) and Emre Erkal. Erhan Muratoglu and
Basak
Senova of NOMAD (Turkey) will be acting as moderators.

daily schedule:
31. March. 2006, 7pm-11pm video works, installations, documentaries and
screening programme and live performance of Ran Slavin (Israel)
streaming
through the Internet
01. April. 2006, 7pm-11pm video works, installations, documentaries and
screening programme and live performance of Sala Manca (Argentina/Israel)

streaming through the Internet
02. April.2006, 3pm-3.30pm Ligna (DE) presentation,
3.30pm 5.30 pm panel audio streaming through the Internet
7pm-11pm video works, installations, documentaries and

Via: "ape5"

.

][][][][][][][][][][][][][][][][][][][][][][][
[][][][][][][][][][][][][][][][][][][][][][][]



>>>>>>>> netlabel for electrovisualistenings...
>>>>>>>>
>>>>>>>>

[][][][][][][][][][][][][][][][][][][][][][][]
][][][][][][][][][][][][][][][][][][][][][][][

----------------------------------------------------------------------

Via: "[OKNO-events]"

.

Erasmushogeschool Dep. Rits
Radio and OKNO
present


BITS ON/OFF BECKETT
a John Cage Circus
On Samuel Beckett's Embers

AN AUDIOPERFORMANCE
by Jeroen Uyttendaele&
Iona Tielemans

wednesday, march 29th, 8 pm @ OKNO
koolmijnenkaai
30-34, quai aux charbonnages
1080 brussels
belgium


+++++++++++++++++++
+++++++++++++++++

check the site for research-info, updates and
addr
esses of audiostreams :
all info on: http://www.okno.be

free entrance


+++OKNO+++++++++++++++++++++++++++++
koolmijnenkaai 30/34 quai aux
charbonnages | brussels 1080 | belgium
tram 18 | Metro Graaf van
Vlaanderen/Comte de Flandres
okno is supported by the Ministry of
the Flemisch Community and the VGC.

sorry for crossposting.

Via: "It's LIQUID"

.

Untitled Document

THE WRONG GALLERY
1:6 Scale THE WRONG GALLERY Launch in London at RS&A




On view on and after march 30th at:
RS & A LTD
50b Buttesland Street
Hoffman Square
London N1 6BY
t. +44 (0)20 7253 7444
f. +44 (0)20 7253 7555

RS&A LTD in association with CEREALART are delighted to announce
the
UK launch of The 1:6 scale edition of THE WRONG GALLERY. On view will for
t
he launch is a special commission by TIM NOBLE & SUE WEBSTER. This is a
uni
que work and not an edition.

The Wrong Gallery is a project from Maurizio Cattelan, Ali
Subotnick
and Massimiliano Gioni. It is an edition of 1:6 scale (45 h x 28 w x 6 d
cm
) reproductions of New York's smallest exhibition space, now in the Tate
Mo
dern.

Please contact RS&A, the exclusive Wrong Gallery representative in
th
e UK, for viewing and purchase information. For viewing and purchasing
info
rmation for other parts of the world please visit Cerealart.com.

RS&A is a London-based company dedicated to producing innovative
proj
ects with contemporary artists. They have recently commissioned chess
sets
designed by Damien Hirst, Jake and Dinos Chapman, Paul McCarthy, Yayoi
Kusa
ma, Maurizio Cattelan, Rachel Whiteread, Tunga, Matthew Ronay, Barbara
Krug
er and Tom Friedman.

Also, please visit the Berlin Biennial, opening on March 24, 2006,
cu
rated by The Wrong Gallery and "Down by Law", an installation by The
Wrong
Gallery at the Whitney Biennial. Click Here for more information about
Cere
alart.