Via: Arno Scharl
.
Extended Submission Deadline: April 16, 2007
FIRST INTERNATIONAL CONFERENCE ON NEW MEDIA TECHNOLOGY
5-7 September 2007; Graz, Austria
http://i-media.tugraz.at/
Media technologies are currently facing challenges and opportunities
arising from a number of trends: Under the Web 2.0 umbrella, social
aspects of software are gaining importance, and a new focus on simplicity
in user interface design is taking hold. New display devices (e.g.
e-paper) and client software (e.g. geo-browsers) revolutionize the
production and consumption of media products. At the same time, semantic
technologies are maturing to the point of broad adoption.
Acknowledging these fundamental changes, I-MEDIA will bring together
researchers, technology start-ups and established media companies in a
multi-disciplinary setting to discuss and shape the future of media
technology.
Kind regards,
Frank Kappe, Arno Scharl, Klaus Tochtermann, Werner Haas
I-MEDIA Conference Chairs (i-media@know-center.at)
.
>From vze3c9dm@verizon.net Tue Mar 27 17:05:58 2007
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Date: Tue, 27 Mar 2007 11:17:32 -0400
From: "Ivo Skoric"
Subject: Just Kick It Till It Breaks
To: ed Agro
Bcc: silkthumin@aol.com, globus@open.cc.etf.hr, yugo.antiwar@conf.igc.org,
albert@infobahnos.com, list.croatia@conf.igc.apc.org,
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The Kitchen / Spring 2007
www.thekitchen.org
The New York based ex-Yugo post-punk multi-media artist Bozidar
Brazda
http://query.nytimes.com/gst/fullpage.html?res=9D0CE2D6143CF936A35752C
1A9629C8B63
has his next mixed-media performance event at The Kitchen on
Saturday, April 7, at 7 pm, it is banquet for a fictitious filmmaker
tried for treason, and, most importantly, it is FREE.
ivo---------------------------------------------------------
Ivo Skoric
105 Robbins Street
Rutland VT 05701
802.775.7257
ivo@balkansnet.org
balkansnet.org
.
>From office@kuda.org Tue Mar 27 09:33:21 2007
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Date: Tue, 27 Mar 2007 12:00:47 -0800
From: office@kuda.org
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To: office@kuda.org
Subject: "... IT IS NOT ONLY A PRIVATE MATTER, ...", ABOUT THE WORK OF ZELIMIR ZILNIK
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=93... IT IS NOT ONLY A PRIVATE MATTER, ...=94
ABOUT THE WORK OF ZELIMIR ZILNIK
In the frame of a project dedicated to the 40-eth anniversary of the firs=
t public screening of a Zelimir Zilnik film at the Short and documentary =
film festival in Belgrade, in 1967, there will be a screening program, as=
well as an exhibition installment, a public discussion of the contextual=
aspects of his social and cultural work, and a concert of one of the ban=
ds that did music for his films. Promotion of the work of Zelimir Zilnik =
at the festival in Belgrade represents the beginning of engagement on the=
realization of DVD about the work of Zelimir Zilnik. The project is bein=
g realized in cooperation between the Playground production company, Cent=
er for new media_kuda.org and the Student Cultural Center in Belgrade, wh=
ich is part of long term research project =93The Continuous Art Class=94 =
dedicated to exploration of art and social practices of Novi Sad neo-avan=
tgarde of 1960's and 1970's (http://www.kuda.org/?q=3Dnode/541)
Program will be presented due to the following schedule:=20
MARCH 29th, 2007, Thursday, 21:00, Cinema of the Cultural Center of Belgr=
ade
Screening of Zilnik's documentary films from 1967 and 1968
A NEWSREEL ON VILLAGE YOUTH IN WINTER (Zurnal o omladini na selu, zimi)
LITTLE PIONEERS (Pioniri maleni mi smo vojska prava, svakog dana nicemo k=
o zelena trava)
THE UNEMPLOYED (Nezaposleni ljudi)
JUNE TURMOIL (Lipanjska gibanja)
BLACK FILM (Crni film)
MARCH 29th, 2007, Thursday, 22:00, Cinema of the Cultural Center of Belgr=
ade
A public discussion about Zilnik's documentary movies, with participants:
Karpo Godina
Milan Vlajcic
Petar Joncic
Miroljub Stojanovic
Stevan Vukovic, moderator of debate
MARCH 31st, 2007, Saturday, 19:00, Gallery of Student Cultural Center Bel=
grade
An exhibition related to contextual aspects of Zilniks work
MARCH 31st, 2007, Saturday, 20:00, Gallery of Student Cultural Center Bel=
grade
A screening of Zilnik's recent documentary (Soap in Danube Opera)
MARCH 31st, 2007, Saturday, 21:00, Student Cultural Center Belgrade
Concert of the Obojeni Program band
More about the movies:
A NEWSREEL ON VILLAGE YOUTH IN WINTER (Zurnal o omladini na selu, zimi)=20
Yugoslavia, 1967, 15 min, 35 mm, black and white
written and directed by: Zelimir Zilnik
camera: Mihajlo Jovanovic - Ciga
sound: Dragan Stanojevic
edited by: Dragan Mitrovic, Slobodan Mladenovic
production: Neoplanta film, Novi Sad
Awards at the Short and documentary film festival in Belgrade, 1967: =93Z=
aromet=94 of the film magazine Ekran and Award of youth jury
LITTLE PIONEERS (Pioniri maleni mi smo vojska prava, svakog dana nicemo k=
o zelena trava)
Yugoslavia, 1968, 18 min, 35 mm, black and white=20
written and directed by: Zelimir Zilnik
camera: Miodrag Jaksic Fandjo=20
sound: Dragan Stanojevic
edited by: Dragan Mitrovic
production: Neoplanta film, Novi Sad
Award at the Short and documentary film festival in Belgrade, 1968: Silve=
r Medal =93Belgrade=94
THE UNEMPLOYED (Nezaposleni ljudi)
Yugoslavia, 1968, 13 min, 35mm
written and directed by: Zelimir Zilnik
camera: Petar Latinovic=20
edited by: Milica Policevic
production: Neoplanta Film, Novi Sad
festivals and awards: Won an ex aequo Grand Prix of the city of Oberhause=
n 1968, and Silver Medal =93Belgrade=94 at the Short and documentary film=
festival in Belgrade, 1968
JUNE TURMOIL (Lipanjska gibanja)
Yugoslavia, 1968, 10 min
directed by: Zelimir Zilnik
camera: Dusan Ninkov
sound: Bogdan Tirnanic, Branko Vucicevic
edited by: Miodrag Petrovic - Sarlo
production: Neoplanta film, Novi Sad
awards: Spezialdiplom der Festspielleitung der Wesdeutsche Kurzfilmtage f=
ur den verkannten Film der XV. Wesdeutschen Kurzfilmtage, Oberhausen, 196=
9.
BLACK FILM (Crni film)
Yugoslavia, 1971, 14 min, 35 mm, black and white
directed by: Zelimir Zilnik
camera: Karpo Acimovic Godina
sound: Dusan Ninkov
editor: Kaca Stefanovic
production: Neoplanta film, Novi Sad
Award: Award of the critique and award of the evangelistic jury, Internat=
ionale Kurzfilmtage Oberhausen, 1971.
MARCH 31, 2007, Saturday, 20:00, Gallery of SKC Belgrade
Screening of the movie: SOAP IN DANUBE OPERA
2006, 70 min
authors: Ljilja Dinic, Sofija Petakovic, Zdravko Pranjic, Ljubisa Astepan=
ovic, Muhamed Eljsani, Vitomir Pucar, Salji Hasani, Zoran Borovac, Fjurim=
Eljsani, Vladimir Savcic, Aljus Heljsani, Muhamed Maroti, Bojan Grcic, S=
enad Mutapi, Milan Janic
editing: Branislav Klasnja, Marin Malesevic
art director and mentor of video workshop: Zelimir Zilnik
production: Terra film, Novi Sad
.
>From Charles.Baldwin@mail.wvu.edu Tue Mar 27 08:03:39 2007
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Date: Tue, 27 Mar 2007 08:05:45 -0400
From: "Charles Baldwin"
To:
Subject: Leonardo Electronic Almanac - CFP: Dispersive Anatomies
Special
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- Apologies for cross-posting. Please distribute widely -
**
*Dispersive Anatomies*
http://leoalmanac.org/cfp/calls.asp#dispersive=20
**
*Guest Editors:* Sandy Baldwin, Alan Sondheim and Mez Breeze
leadispersive@astn.net=20
**
*Editorial Guidelines:* http://leoalmanac.org/cfp/submit/index.asp=20
*Discussion Group: *leadispersive-subscribe@googlegroups.com=20
*Deadline: *31 May 2007
*Call for papers - LEA Dispersive Anatomies*
*-------------------------------------------------------------------
*The Leonardo Electronic Almanac (ISSN No: 1071-4391) is inviting papers =
and
artworks that address dispersion - dispersion of bodies, objects,
landscapes, networks, virtual and real worlds.
A fundamental shift in the way we view the world is underway: the
abandonment of discrete objects, and objecthood itself. The world is now
plural, and the distinction between real and virtual is becoming
increasingly blurred, with troubling consequences within the geopolitical
register. This shift is related to a cultural change that emphasizes =
digital
deconstruction over analog construction: a photograph for example can be
accessed and transformed, pixel by pixel, cities can be taken apart by
gerrymandering or eminent domain, and our social networks are replete with
names and images that problematize friendship, sexuality, and culture
itself. One issue that emerges here: Are we networking or are we networked?=
Are we networks ourselves?
LEA is interested in texts and works that deal with this fundamental shift
in new and illuminating ways. Specifically, anything from essays through
multimedia through networks themselves may be considered. We're particularl=
y
interested in submissions that deal with the incoherency of the world, and
how to address it.
*Key topics of interest
Via: "Turbulence"
.
March 31, 2007
Turbulence Commission: "Urban Attractors, Private Distractors" by Angie Eng
in collaboration with Rich Streitmatter-Tran and a collective of student
interns in New York and Ho Chi Minh City
http://turbulence.org/uapd/
"Urban Attractors and Private Distractors" is a vlog project about privacy
in public space in Eastern culture. It compares the results of dérives
(French for "drift," dérive was defined by the Situationists as the
"technique of locomotion without a goal") in Ho Chi Minh and New York City.
The collective will address questions such as: How is a city constructed in
a culture where the inhabitants have little experience of a private physical
space? Do they adapt more readily to cyberspace which is both private/public
simultaneously? How do Westerners reclaim their 'public space'? Organized
dérives in both cities will commence at the most public of spaces--the town
square. Participants will submit videos as urban indicators of private
and/or public to the vlog until the workshop meetings in June 2007. Angie
Eng, the project director, will continue vlogging until the commencement of
the physical installation in Fall 2007.
"Urban Attractors, Private Distractors" is a 2007 commission of New Radio
and Performing Arts, Inc., (aka Ether-Ore) for its Turbulence web site. It
was made possible with funding from the Jerome Foundation.
BIOGRAPHY
Angie Eng is a media artist who works in video, installation, web-based and
video performance. In 1993 she moved to New York City to pursue her career
in media arts. She co-founded The Poool (1996-1999), a live video
performance group, with Nancy Meli Walker and Benton Bainbridge. Her work
has been performed and exhibited at the Whitney Museum of American Art at
Philip Morris, Lincoln Center Video Festival, The Kitchen, New Museum of
Contemporary Art, Rensselaer Polytechnic Institute, Experimental Intermedia,
and Roulette Mixology Festivals. Engs videos have been included in digital
art festivals in local and international venues in Cuba, Greece, Japan,
Germany, Former Yugoslavia, Switzerland and Canada. She has received
numerous grants and commissions: New Radio and Performing Arts, Inc.,
Harvestworks Residency, Art In General, Lower Manhattan Cultural Council,
New York State Council on the Arts, mediaThe Foundation, the Jerome
Foundation and the Experimental TV Center. She was recently awarded an
Eyebeam residency to develop the installation component of "Urban
Attractors, Private Distractors."
For more Turbulence commissions, please visit http://turbulence.org
Jo-Anne Green, Co-Director
New Radio and Performing Arts, Inc.: http://new-radio.org
New York: 917.548.7780 Boston: 617.522.3856
Turbulence: http://turbulence.org
New American Radio: http://somewhere.org
Networked_Performance Blog: http://turbulence.org/blog
Upgrade! Boston: http://turbulence.org/upgrade
Via: "Edith-Russ-Haus"
.
*************Please scroll down for English
version*************************************
Rock *N* Scroll in der Innenstadt
Performance zum Mitmachen von Medienkünstlerin Annina Rüst
Oldenburg. Am Freitag, 30. März, will die Medienkünstlerin Annina Rüst
an zwei Orten in der Innenstadt von Oldenburg den Computer mit der
Software *Rock 'N' Scroll* umfunktionieren, um sich mit normalen
Laptop-Nutzern rhythmisch zu bewegen und Musik zu machen. Jeder der
will, kann mitmachen. *Benutzen sie doch einfach ihre Mouse als Rassel,
ihre Tastatur als Keyboard und ihr Telefon als Mikrophon und machen sie
Musik!* fordert die Künstlerin das Innenstadt-Publikum auf.
Die erste Performance findet um 14 Uhr im Café Loft, Baumgartenstraße
2, statt. Weitere Performances sind ab 16 Uhr an anderen Orten in der
Innenstadt geplant. Die Veranstaltungen gehören zum Rahmenprogramm der
Ausstellung *SOUND//BYTES_elektronische und digitale Klangwelten*, die
im Edith-Ruß-Haus für Medienkunst Oldenburg noch bis zum 15. April
gezeigt wird.
Cafés, Einkaufszentren, Parks und andere Treffpunkte sind oft schon mit
Wireless Internet ausgestattet, so dass sie nicht nur zum geselligen
Verweilen, sondern auch zum Arbeiten am Computer einladen. *Stellen Sie
sich vor, sie betreten einen solchen Ort, doch anstatt unbeweglich vor
ihren Rechnern zu sitzen und auf ihre Bildschirme zu starren, führen die
Computernutzer rhythmische Bewegungen mit ihrem Zubehör aus*, sagt
Annina Rüst. Mit dem Mousepad des Laptops werden DJ-ähnliche
Scratchbewegungen ausgeführt, der Joystick und die Mouse werden wie
Rasseln geschüttelt, die Tastatur wird als Schlagzeug bedient und das
Mobiltelefon als Mikrophon verwendet. Mittels Internet-Telefonie (Voice
over IP) verbinden sich die Laptops, so dass jeder Benutzer zu der
spontanen *Jamsession* beitragen kann. Mehr Informationen unter
http://www.rocknscroll.net
Die gebürtige Schweizerin Annina Rüst arbeitet zurzeit als Research
Assistant in der Computing Culture Group am MIT Media Lab in Boston,
USA. Im Jahr 2006 entwickelte sie die Software *Rock *N* Scroll*
während ihres Arbeitsstipendiums im Edith-Ruß-Haus für Medienkunst in
Oldenburg.
Die Anleitung für den Gebrauch ihrer Software *Rock 'N' Scroll* wurde
auf ein Mousepad gedruckt und ist seit kurzem in einer handsignierten
Auflage von 30 Stück als *Edition Nr. 1* im Edith-Ruß-Haus für
Medienkunst für 25 Euro erhältlich.
Edith-Ruß-Haus für Medienkunst
Katharinenstraße 23
D-26121 Oldenburg
fon: +49 (0)441 - 235 32 08
fax: +49 (0)441 - 235 21 61
info@edith-russ-haus.de
www.edith-russ-haus.de
Öffnungszeiten
Dienstag - Freitag 14 - 17 Uhr
Samstag und Sonntag 11 - 17 Uhr
Montag geschlossen
Eintritt: 2,50 / 1,50
*********************************************************************************************
Rock *N* Scroll in the city centre
Performance with audience participation by media artist Annina Rüst
Oldenburg. On Friday, 30 March 2007 Annina Rüst is going to turn
laptops into musical instruments using her software *Rock *N*
Scroll* at two places in the city centre of Oldenburg, to rhythmically
move and make music with laptop-users. Everyone is invited to
participate. *Just use your mouse as rattle, your keyboard as drum
kit, and your mobile as microphone and make music!* the artist asks
the inner city public.
The first performance is taking place at 2 p.m at the Café Loft,
Baumgartenstraße 2. Other performances are planned at 4 p.m at other
sites in the city centre. This event is part of the program accompanying
the exhibition Sound//Bytes_electrical and digital sound scapes, which
is shown at the Edith-Russ-Site for Media Art until 15 April 2007.
Coffee shops, shopping malls and other semi-public places are often
already equipped with wireless internet, allowing not only to meet and
socialise but also to work there. *Imagine entering such a place and
instead of sitting fixedly in front of their computers users perform
rhythmic movements with their equipment*, says Annina Rüst. Optical
mice are used for DJ-like scratching motions, joysticks and mechanical
mice serve as rhythmic instruments, keyboards become drum kits and
mobile phones turn into microphones. Both mobile phones and computers
are connected using Skype voice-over-IP telephony (VOIP) software, so
that everyone present can participate in the spontaneous *jam
session* with his or her own equipment. For more information see:
http://www.rocknscroll.net
Swiss born Annina Rüst at the moment works as a Research Assistant for
the Computing Culture Group at MIT Media Lab in Boston, USA. Her
software *Rock *N* Scroll* was developed in 2006 while the
artist received a work stipend from the Edith Russ Site for Media Art.
The user instructions for Annina Rüst*s software *Rock *N*
Scroll* have been printed on a mouse pad. Of this first edition 30
copies, hand-signed by the artist, have been issued. They are available
at the Edith Russ Site for Media Art for the price of 25,00 per
piece.
Edith Russ Site for Media Art
Katharinenstraße 23
D-26121 Oldenburg
fon: +49 (0)441 - 235 32 08
fax: +49 (0)441 - 235 21 61
info@edith-russ-haus.de
www.edith-russ-haus.de
Opening Hours
Tuesday - Friday 2 - 5 p.m
Saturday and Sunday 11 a.m - 5 p.m
Monday closed
Admission: 2,50 / 1,50
Via: =?iso-8859-1?Q?=80?=
.
RAUM [][][]
Weekend on National Character of Geometric Abstraction
Friday, 30.03. + Saturday, 31.03.2007
feat. trashconnection.com, Le Code, globalRADIO + radi0.tv
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Friday, 30.03., 19:00
National Character of Geometric Abstraction
feat. trashconnection.com
Roman Minaev
Im Gegensatz zur traditionellen geometrischen Abstraktion, wo der Autor
scheinbar willkürlich die Wahl der Form und der Farbe hat und deutet,
stellt die Symbolikder Staatsfahnen eine kollektiv akzeptierte
Abstraktion dar.
Mithilfe eines Zufallsgenerators werden nun die Möglichkeiten einer
sinnvollen Botschaft getestet, wobei jedes neu entstehende Werk
geografische, politische und ethnische Grenzen umreisst.
Die Arbeit operiert mit anerkannten Symbolen und produziert eine
standardisierte und universalisierte Form der Kunst als Gegenstand des
Nationalstolzes.
http://ncga.trashconnection.com
+
Le Code
Mangrove Kipling (audio) + Keyframed (video)
Meditative Noise and Computeranimations
Video generated by a system of close response between sound and
geometry. Le Code creates a vivid moving electronic painting,
an audio-visual impact of endless depth.
http://www.keyframed.org/code.htm
globalRADIO - MP3-Audio-Livestream - 19:00-??:??
http://www.gradio.org:7998/listen.pls
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Saturday, 31.03., 14:00
Excursion to Reichstag with Dr. Matze Schmidt
Meeting Point: Front Entrance Stairs (Platz der Republik)
Duration: approx. 30 min. (plus waiting in line)
Contact: matze.schmidt(at)n0name.de
Who's not Afraid of Black, Red and Gold?
We'll have to wait for a while with the "serpent" of the masses who
take it to be true, that a stylish Barnett Newman[1] in the hall can
angle you through the enlightened darkness of this new National Gallery
of non-power.
Parliament Security Check-in Tip: Please don't bring any knifes.
"Whoever does not yet understand it must pay for it!"
Via: "connect@bitnik.org"
.
____ ____ __________ ___
/ __ / __ / ____/ __ / |
/ / / / /_/ / __/ / /_/ / /| |
/ /_/ / ____/ /___/ _, _/ ___ |
____/_/ /_____/_/ |_/_/ |_|
_________ __ __ _____ __________
/ ____/ | / / / / / _/ | / / ____/ /
/ / / /| | / / / / / // |/ / / __/ /
/ /___/ ___ |/ /___/ /____/ // /| / /_/ /_/
____/_/ |_/_____/_____/___/_/ |_/____(_)
http://www.opera-calling.com -
Arien für Alle! | Arias for All!
Liebe Freunde der 8KHz Opern-Übertragung
Wir haben der Oper das Telefonieren gelehrt! Opera Calling erweitert das
Zürcher Opernhaus weiterhin um einen zusätzlichen Klangraum. Über Wanzen,
die im Zuschauerraum platziert sind, bekommt die Zürcher Bevölkerung
freien Zugang (frei wie in freie Meinungsäusserung, nicht wie in
Freibier!) zu den Vorstellungen. Dabei werden die Vorstellungen nicht
ausgestrahlt, sondern die ZuhörerInnen angerufen und direkt ins
Opernhaus verbunden.
Was bisher geschah: In den letzten beiden Wochen hat Opera Calling zehn
Opernaufführungen an 1489 Haushalte übertragen. Die Zürcher Oper
behauptet zwei Wanzen gefunden und zerstört zu haben. Mit der Oper in
frenetischer Suche engagiert und einer unbekannten Anzahl Wanzen, die
noch gefunden werden wollen, geht das *Spektakel* weiter...
Die ZuhörerInnen zuhause waren bisher übrigens durchwegs erfreut über die
aussergewöhnliche und unerwartete Möglichkeit am Telefon den Vorstellungen
des Opernhauses zuhören zu können. Die bisherigen Anrufe können während
des Tages in der Installation im Cabaret Voltaire angehört werden. Ein
paar Beispiele finden sich auch online unter:
http://opera-calling.com
Arien für Alle!
Sven König und !Mediengruppe Bitnik
http://www.popmodernism.org
http://www.bitnik.org
29.03.2007 18:00:00 - 23:15:00, Parsifal by Wagner
30.03.2007 19:30:00 - 22:30:00, Il Barbiere di Siviglia by Rossini
31.03.2007 17:00:00 - 22:15:00, Parsifal by Wagner
01.04.2007 13:00:00 - 17:00:00, Le Nozze di Figaro by Mozart
01.04.2007 20:00:00 - 22:30:00, Don Quixote by Minkus
Anzahl Anrufe.......................................................1489
Besetzt oder Unbeantwortet...........................................830
Dauer aller Übertragungen.......................................22:00:18
Längster Anruf..................................................00:57:08
Kürzester Anruf.................................................00:00:01
Durchschnittliche Anrufdauer....................................00:02:01
«A Hack A Day» - Die Workshop-Reihe zur Ausstellung. Praktische Anleitungen
für den Hacker-Alltag.
Samstag, 31. März 2007 - 14:00h, Cabaret Voltaire
* Dataprocession: Die Netzgrenze feiern
* Reiseleitung: Sofatrips.com - Mario Purkathofer
* Eine Stadtwanderung durch die Informationslandschaft mit cleveren Things
von KünstlerInnen und HackerInnen. Anmeldung erforderlich.
* http://www.sofatrips.com/?page=trips_netzgrenze
Samstag, 14. April 2007 - 14:00h, Cabaret Voltaire
* An Afternoon of Good Clean Fun with C6
* Wir erforschen gemeinsam mit dem Kuenstlerkollektiv C6.org aus London
die Zuercher Galerien-Landschaft und erfahren, wer die wirklichen
Artwankers sind, warum Mona Lisa laechelt und warum sie einen speziellen
Platz in unseren Herzen verdient!
* http://c6.org/thedotmasters/
____ ____ __________ ___
/ __ / __ / ____/ __ / |
/ / / / /_/ / __/ / /_/ / /| |
/ /_/ / ____/ /___/ _, _/ ___ |
____/_/ /_____/_/ |_/_/ |_|
_________ __ __ _____ __________
/ ____/ | / / / / / _/ | / / ____/ /
/ / / /| | / / / / / // |/ / / __/ /
/ /___/ ___ |/ /___/ /____/ // /| / /_/ /_/
____/_/ |_/_____/_____/___/_/ |_/____(_)
http://www.opera-calling.com -
Arias for All!
Dear friends of the 8KHz Opera retransmission
Opera Calling, the intervention into the Zurich Opera, is still up and
running! Through audio-bugs placed within the auditorium of the opera
house, the outside public is given free (as in free speach not free
beer) access to the performances on stage. The performances are
retransmitted to the public not through broadcasting, but by telephoning
each person in Zurich individually.
And since «man was born a spectator» the show will go on.
The story so far: For the last two weeks Opera Calling has retransmitted
ten live performances of the Zurich opera to 1489 households in Zurich.
The Zurich Opera claims to have found and destroyed 2 bugs. With the Opera
in frantical mode and an unknown number of bugs still
to find the *spectacle* continues...
People at home have been most charmed by the exceptional experience
brought to them by the telephone opera. If the opera has not yet called
y-ou, you can hear phone calls from past transmission directly on the
call-out-machine at the Cabaret Voltaire or listen to examples on
http://opera-calling.com
Arias For All!
Sven Koenig and !Mediengruppe Bitnik
http://www.popmodernism.org
http://www.bitnik.org
29.03.2007 18:00:00 - 23:15:00, Parsifal by Wagner
30.03.2007 19:30:00 - 22:30:00, Il Barbiere di Siviglia by Rossini
31.03.2007 17:00:00 - 22:15:00, Parsifal by Wagner
01.04.2007 13:00:00 - 17:00:00, Le Nozze di Figaro by Mozart
01.04.2007 20:00:00 - 22:30:00, Don Quixote by Minkus
Total Calls........................................................1489
Total Calls Busy or Faile...........................................830
Total Calls Duration...........................................22:00:18
Longest Call...................................................00:57:08
Shortest Call..................................................00:00:01
Avearage Call Duration:........................................00:02:01
«A Hack A Day» - A series of workshops to go with the exhibition.
Practical How-Tos for Social Hacking.
Saturday, March 31st 2007 | 2 p.m. Cabaret Voltaire
* Dataprocession: Celebrate the boundaries of the net! (Netzgrenze)
* Hosted by Sofatrips.com - Mario Purkathofer
* A City Tour through the information landscape with clever Things by
local hackers and artists.
* http://www.sofatrips.com/?page=trips_netzgrenze
Saturday, April 14th 2007 | 2 p.m. Cabaret Voltaire
* An Afternoon of Good Clean Fun with C6
* Together with the London artists collective C6 we will explore art
institutions and galeries in Zurich. We will learn who the real
artwankers are, why Mona Lisa smiles and why she deserves a very
special place in our hearts!
* http://c6.org/thedotmasters/
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