Via: "Ashwani Sharma"
.
apologies for x-posting. please distribute.
RACE/MATTER: MATERIALISM AND THE POLITICS OF RACIALIZATION
SPECIAL JOURNAL ISSUE OF DARKMATTER
http://www.darkmatter101.org
CALL FOR PAPERS
A materialist turn in the humanities and social sciences has
revitalized work in feminism, science and technology studies, critical
social theory and phenomenology. But what of 'race' thinking from a
materialist standpoint? Can a materialist ontology of race transform
anti-racist politics?
A politics of representation and changing the conditions of
representation has ostensibly become an anti-racist orthodoxy. How
many times have we repeated the mantra of race as a social and
discursive construct and still be left with a feeling that it fails to
tell the whole story. And discourses of post-race are found to be
wanting for their potential to erase why race matters.
While the association of phenotypical differences with cultural
categories is a socially and historically contingent process, we
continue to be confronted by the irreducibility of race. From the
perspective of materiality, embodied difference is not the end point
which has to be discursively negotiated or dissolved. Rather,
difference is a real point of departure and struggle, in order to
contest the constitution of race on the very ground of everyday life.
The second journal issue of darkmatter seeks to open up the question
of the material facticity of race - possible topics of interest:
- post-race and the problem of liberal humanism
- anti-racism after multiculturalism
- the limits of vitalism and productionism
- race, migration, mobility
- neo-orientalism as differential exclusion
- non-essentialist biological approaches to race
- Justice beyond citizenship
- becoming post-human
- spatiality of race
- materiality of memory, voice, language or music
- racialization in bio-capitalism and embodied capitalism
Send expressions of interest with short description of possible
contributions to Dimitris Papadopoulos- papadopoulosd@cardiff.ac.uk
and Sanjay Sharma - sanjay.sharma@brunel.ac.uk
by 30 June 2007.
Article length: 1,500 – 5,000 words. Alternative formats, such as
essays, political commentaries, book and art reviews are welcome, in
particular audio, visual and digital contributions.
http://www.darkmatter101.org/site/2007/05/27/racematter-materialism-and-the-politics-of-racialization/
Via: natalia borissova
.
THEREMIN-SENSOR CONSTRUCTION WORKSHOP in Barcelona
Led by ANDREY SMIRNOV (Theremin center. Moscow)
Dates:
June 19 => 22. 2007
Deadline: June 12
Location:
Riereta 5 raAVal Barcelona Spain 08001
Content:
This intensive 4-days workshop is focused on the construction of the Theremin-sensor.
In the end of the workshop you will have a self made and working interactive
sensor system.
You will learn:
The basic principles of sensor operation and
how to:
solder sensors
tune all sorts of sensors
connect sensors to computers and build appropriate patches
get the interactive system working
solve hidden problems.
Requirements:
Soldering tool and all related materials.
Computer with sound input and headphones.
At least some knowledge in radio-electronics.
Good skills in soldering.
To reserve places:
wokshop[at]aa-vv[dot]org
Places available: 15
Please forward
Course fee:
between 35 and 50 euro.
In the end of the workshop participants can take their sensors.
More info at:
http://www.aa-vv.org/?av_0201=WORKSHOPS
//
The workshop has been made possible by:
a=v (Munich), Riereta + Telenoika + Hangar (Barcelona).
Coordination: Natalia Borissova
\
aa-vv.org
riereta.net
telenoika.net
hangar.org
Via: das ende der nahrungskette
.
The Void's Foaming Ebb
A short film about medial hubris.
---> http://www.monochrom.at/voidsfoamingebb/
Via: xavier cahen
.
pourinfos.org
l'actualité du monde de l'art / daily Art news
Via: "ART ELECTRONICS"
.
Translate in English: http://babelfish.altavista.com/
BAU saluta FLUXUS
con Philip Corner e Phoebe Neville
26 Maggio 2007 - ore 16:30
Biblioteca Comunale di Viareggio (Palazzo delle Muse, Piazza Mazzini)
Presentazione del Contenitore di Cultura Contemporanea BAU n. 3
BAU - Contenitore di Cultura Contemporanea, rivista in forma di
scatola che raccoglie opere e testi originali di settanta autori italiani e
stranieri. L'incontro verrà introdotto dal critico d'arte Antonella Serafini
e da Antonino Bove, Presidente dell'Associazione Culturale BAU, attiva da
quattro anni nel territorio.
Ospite speciale dell'evento sarà il compositore e artista americano Philip
Corner, partecipante a BAU 3, che proporrà una sua performance in compagnia
della danzatrice e coreografa Phoebe Neville.
Tra gli animatori dai primi
anni Sessanta del celebre gruppo Fluxus, Corner fornisce a BAU l'occasione
per salutare e rendere omaggio a questa storica "rete creativa"
internazionale che ha svolto un ruolo pionieristico nell'ambito della
sperimentazione multimediale e delle pubblicazioni collettive d'artista.
Seguiranno micro-azioni nello spirito di Fluxus da parte di alcuni autori
presenti in BAU: Paolo Albani, Carlo Battisti, Effettozoma, Luc Fierens,
Gumdesign, I Santini Del Prete, Monica Michelotti. Vittore Baroni presenterà
infine un progetto collettivo in omaggio al fondatore di Fluxus, Giù il
cappello per George Maciunas, con défilé di singolari copricapi d'autore
pervenuti da tutto il mondo.
GLI AUTORI DI BAU N. 3
BAU 3, completato nei primi mesi del 2007, comprende lavori di Paolo
Albani, Fernando Andolcetti, Vittore Baroni, Andrea Barsella detto Andro,
Carlo Battisti, Mirella Bentivoglio, Alessia Berruti, Dora Bertacca, Carla
Bertola, Tomaso Binga, (Bio)Attritirettificati, Antonino Bove, Luca
Brocchini, Gianni Broi, Martina Caniparoli (Oli), Mario Carchini (Cobàs),
Sergio Cena, Piermario Ciani, Lido Contemori, Philip Corner, G.Luca Cupisti,
Caterina Davinio, Jakob De Chirico, Paolo Della Bella, Giampaolo Di Cocco,
Giorgio Di Genova, Lidia Fiabane, Luc Fierens, Delio Gennai, Gumdesign, I
Santini Del Prete, Emily Joe, Christine Jones, Helmut King, Bruno Larini,
Paola Lazzari, Gianluca Lerici (Professor Bad Trip), Marcello Licciardi,
Tommaso Lisa, Marco Maffei, Lucia Marcucci, Albert Mayr, Sergio Mazzanti,
Antonella Mercati-Stefania Puntaroli, Giancarlo Micheli, Monica Michelotti,
Angelina M. Moody, Massimo Mori, Giorgia OLM-Michele Pardini, Luciano Ori,
Maurizio Osti, Stefano Paolicchi, Vieri Parenti, Mirco Piccioli, Lamberto
Pignotti, PaoloPratali, Angelo Pretolani, Anton Roca, Nadia Rugiati,
Antonella Serafini, Bruno Sullo, Luigi Tola, Elena Torre, Tommaso Tozzi,
Giovanna Ugolini, Liliana Ugolini, Rodolfo Vitone, Marco Zoli.
FLUXUS è un gruppo di ispirazione neodadaista nato nel 1961 a New York da
un'idea del lituano-americano George Maciunas (1931-1978). I suoi
componenti - tra cui si ricordano Dick Higgins, Ben Vautier, George Brecht,
Philip Corner, Robert Filliou, Al Hansen, Yoko Ono, Joseph Beuys, Emmett
Williams e il fiorentino Giuseppe Chiari, scomparso in questi giorni - si
identificavano con le arti visive, la musica e la poesia sperimentale. Nel
1962 Maciunas ha promosso un primo festival Fluxus allo Stadtische Museum di
Wiesbaden, in Germania, dove è stata eseguita la performance Piano
Activities di Philip Corner, in cui un pianoforte a coda veniva segato in
due. Fluxus rivendica l'intrinseca artisticità dei gesti più comuni ed
elementari e promuove lo sconfinamento dell'atto creativo nel flusso della
vita quotidiana, in nome di un'arte totale che assume diverse forme,
antidogmatiche e libertarie, in cui anche il fruitore assume spesso un ruolo
attivo.
PHILIP CORNER (New York, 1933) è un compositore, musicista, poeta e artista
americano che risiede da tempo in Italia. Ha studiato negli anni Cinquanta
presso il Conservatorio di Parigi con Olivier Messiaen e alla Columbia
University con Otto Luening e Henry Cowell. Ha insegnato in numerose
università ed ha fatto parte di prestigiosi collettivi, quali il Judson
Dance Theater, l'Experimental Intermedia Foundation, il Tone Roads Chamber
Ensemble, Sounds Out Of Silent Spaces e Gamelan Son of Lion. Associato a
Fluxus fin dai primi Sessanta, ha collaborato tra gli altri con George
Maciunas, La Monte Young, Yoko Ono e John Cage. Pioniere in veste di
compositore, interprete ed improvvisatore di una forma di contaminazione non
superficiale tra le culture musicali europee, asiatiche e americane, ha
lavorato spesso per il teatro e in collaborazione con danzatrici
d'avanguardia.
In anni recenti, è stato spesso affiancato dalla moglie PHOEBE NEVILLE,
direttrice e prima ballerina per anni a New York di una compagnia a suo
nome.
Karenina.it - PRESS clprezi@tin.it
Via: "Image Science"
.
DEPARTMENT FOR IMAGE SCIENCE & DATABASE OF VIRTUAL ART present
*************************************************************
=> “Myths of Immateriality: Curating, Collecting and Archiving Media Art”
DANUBE TELELECTURE from the MUMOK, Vienna : Myths of Immateriality
The Department for Image Science at Danube-University Krems created a new
format of international lecture and debates on key questions of Image
Science and Media Art with high-calibre experts - the DANUBE TELELECTURES.
The discussion will be recorded by several cameras and transmitted live
over the www.
http://www.donau-uni.ac.at
Online viewers can participate live in the discussion via email.
TELELECTURE # 3
“Myths of Immateriality: Curating, Collection and Archiving Media Art”
During the last decades media art has grown to be the art of our time,
though it has hardly arrived in our cultural institutions. The mainstream
of art history has neglected developing adequate research tools for
these contemporary art works, they are exhibited infrequently in museums,
and there are few collectors.
Media art is hardly being archived and systematically preserved like
ancient and traditional forms of art.
This loss of data our society is facing because of the change in storage
media and operational systems threatens to result in a total loss of our
contemporary digital art. Which practices and strategies in the
curating and documenting of media art do experts in the field suggest?
** CHRISTIANE PAUL, curator for New Media, Whitney Museum, NY, author of
"Digital Art" (Thames & Hudson 2003)**
** PAUL SERMON, media artist and scientist at the University of Salford, UK **
* Introduction: Oliver Grau, Univ.-Prof. and Head of the Department for
Image Science, Danube University Krems *
* Moderation: Dr. Michael Freund, Der Standard *
Danube TeleLecture # 3 at the MUMOK, MuseumsQuartier, Vienna
Time: Sun, 27. May 2007, 17.00h CET (Start of Streaming)
+ You can attend the event in MUMOK or in realtime over the www +
http://www.donau-uni.ac.at/dis
After 30 minute long lectures the audience will have the possibility to
ask the speakers questions.
Internet users may join the discussion via e-mail.
Contact: Mag. Jeanna Nikolov-Ramírez Gaviria
Tel: +43 (0)2732 893-2570
E-Mail: jeanna.nikolov@donau-uni.ac.at
http://www.donau-uni.ac.at/dis
*******************************************
PARTNERS
ORF http://noe.orf.at
DATABASE OF VIRTUAL ART www.virtualart.at
*******************************************
Via: Mason Dixon
.
Begin forwarded message:
> From: "xavier cahen pourinfos.org"
> Date: May 23, 2007 10:01:06 AM CDT
> To: Mason@ArtAfterNext.org, info@dispatx.com
> Subject: Appel à candidature : Dispatx Art Collective, Barcelone,
> Espagne.
>
> Your message is published on http://pourinfos.org / Votre message
> est diffuse sur http://pourinfos.org
> Do you know http://www.radiolist.org / Connaissez-vous http://
> www.radiolist.org ?
> Appel à candidature : Dispatx Art Collective, Barcelone, Espagne.
> (Barcelona, 26/04/2007) Dispatx Art Collective announced today the
> inauguration of a commissions program for the creation of original
> work. The inaugural commission award consists of two commissions of
> between 750 and 2000 euros in the categories of Photography and
> Sculpture.
>
> Proposals will be accepted until the end of the day on 23rd June 2007.
>
> >From 2004, Dispatx Art Collective (http://www.dispatx.com) has
> worked with
> emerging and established artists investigating the creative method –
> the organising process that translates creative vision into creative
> output. Dispatx is now a leading curatorial platform developing and
> presenting contemporary art and literature.
>
> With over 100 published projects in six themed collections -
> comprising well over 2000 pages of original content – Dispatx Art
> Collective will continue to develop and investigate creative and
> curatorial practice via the commissions program for the creation of
> original work. Every six months we will commission between two and
> five projects investigating the theme in exploration.
>
> For the eighth collection the theme is Appropriation in Creative
> Practice, with a particular focus on the use of developed ideas and
> theories as a material across different artistic disciplines. This
> theme will be developed between July and December 2007.
>
> The commissions are privately funded by contemporary art collectors
> and may lead to long-term patronage or representation.
>
> For more details on the commissions program, please visit
> http://www.dispatx.com/commissions/
>
> Source : nettime-ann
>
> -- pourinfos.org -------------- XAVIER CAHEN Direction de la
> publication xavier.cahen@pourinfos.org http://www.pourinfos.org
Via: David M Silver
.
folks,
* please feel free to forward, distribute, and cross-post *
nearly each month, the resource center for cyberculture studies, or RCCS
( http://rccs.usfca.edu/ ), publishes book reviews related to the field
of contemporary media and culture. these book reviews are free, open to
the public, and available here: ( http://rccs.usfca.edu/booklist.asp ).
if YOU are interested in writing a 1000-1500 word review and can write
the review by the end of august 2007, please contact me. please include:
a) the name of the book you wish to review, b) your professional
affiliation, and c) a sentence or two about why you want to review this
book. if selected, i will send you a free review copy of the book and
ask you to send me your review by the end of august. if you already have
many commitments for summer and do not think you can read and review the
book by the end of august, please pass until next time.
if YOU are an author/editor of a book related to cyberculture and
contemporary media and you do not see your book on the list below,
please send a review copy (or copies) to:
David Silver/RCCS
University of San Francisco
Department of Media Studies
2130 Fulton Street
San Francisco, CA 94117-1080
i am especially interested in reviewing books published outside the US
and UK and books written in languages other than english.
the following books are available for review. if interested, please
contact me (dmsilver [ at ] usfca.edu) prior to JUNE 1, 2007.
(because mailing lists/listservs often truncate/shorten long messages,
the full version of this call for reviewers can be found here:
http://silverinsf.blogspot.com/2007/05/new-books-ready-for-review.html )
Charles R. Acland, Residual Media (University of Minnesota Press, 2007)
Mark Amerika, META/DATA: A Digital Poetics (MIT Press, 2007)
Jerome Armstrong and Markos Moulitsas, Crashing the Gate: Netroots,
Grassroots, and the Rise of People-Powered Politics (Chelsea Green, 2006)
Chris Atton, An Alternative Internet (Columbia University Press, 2005)
Michael D. Ayers (Editor), Cybersounds: Essays On Virtual Music Culture
(Peter Lang Publishing, 2006)
Axel Bruns, Gatewatching: Collaborative Online News Production (Peter
Lang Publishing, 2005)
Axel Bruns and Joanne Jacobs (Editors), Uses of Blogs (Peter Lang
Publishing, 2006)
Manuel Castells, Mireia Fernandez-Ardevol, Jack Linchuan Qiu, and Araba
Sey, Mobile Communication and Society: A Global Perspective (MIT Press,
2006)
Annmarie Chandler and Norie Neumark, At a Distance: Precursors to Art
and Activism on the Internet (MIT Press, 2006)
Roy Christopher (Editor), Follow for Now: Interviews with Friends and
Heroes (Well-Red Bear, 2007)
Wendy Hui Kyong Chun, Control and Freedom: Power and Paranoia in the Age
of Fiber Optics (MIT Press, 2006)
Andy Clarke and Grethe Mitchell (Editors), Videogames and Art
(Intellect, 2007)
Mia Consalvo, Nancy Baym, Jeremy Hunsinger, Klaus Bruhn Jensen, John
Logie, Monica Murero, and Leslie Regan Shade (Editors), Internet
Research Annual: Selected Papers from the Association of Internet
Researchers Conferences 2000-2002 (Peter Lang Publishing, 2004)
Steve Dixon, Digital Performance: A History of New Media in Theater,
Dance, Performance Art, and Installation (MIT Press, 2007)
Timothy Druckrey (Editor), Ars Electronica: Facing the Future: A Survey
of Two Decades (MIT Press, 1999)
Kathleen Fitzpatrick, The Anxiety of Obsolescence: The American Novel in
the Age of Television (Vanderbilt University Press, 2006)
Patrice Flichy, The Internet Imaginaire (MIT Press, 2007)
Kirsten Foot and Steven M. Schneider, Web Campaigning (MIT Press, 2006)
Anne Friedberg, The Virtual Window: From Alberti to Microsoft (MIT
Press, 2006)
Ted Friedman, Electric Dreams: Computers in American Culture (New York
University Press, 2005)
Alexander R. Galloway, Gaming: Essays On Algorithmic Culture (University
of Minnesota Press, 2006)
Alexander R. Galloway, Protocol: How Control Exists after
Decentralization (MIT Press, 2006)
Rishab Aiyer Ghosh, CODE: Collaborative Ownership and the Digital
Economy (MIT Press, 2005)
Tarleton Gillespie, Wired Shut: Copyright and the Shape of Digital
Culture (MIT Press, 2007)
Lisa Gitelman, Always Already New: Media, History, and the Data of
Culture (MIT Press, 2006)
Ken Goldberg (Editor), The Robot in the Garden: Telerobotics and
Telepistemology in the Age of the Internet (MIT Press, 2001)
N. Katherine Hayles, Nick Montfort, Scott Rettberg, and Stephanie
Strickland (Editors), Electronic Literature Collection, Volume 1
(Electronic Literature Organization, 2006)
Ken Hillis, Michael Petit, and Nathan Scott Epley (Editors), Everyday
eBay: Culture, Collecting, And Desire (Routledge, 2006)
Henry Jenkins, Convergence Culture: Where Old and New Media Collide (New
York University Press, 2006)
Caroline A. Jones, Sensorium: Embodied Experience, Technology, and
Contemporary Art (MIT Press, 2006)
David Joselit, Feedback: Television against Democracy (MIT Press, 2007)
Yehuda E. Kalay, Architecture's New Media: Principles, Theories, and
Methods of Computer-Aided Design (MIT Press, 2004)
James E. Katz and Ronald E. Rice, Social Consequences of Internet Use:
Access, Involvement, and Interaction (MIT Press, 2002)
Lori Kendall, Hanging Out in the Virtual Pub: Masculinities and
Relationships Online (University of California Press, 2002)
Martin Kevorkian, Color Monitors: The Black Face of Technology in
America (Cornell University Press, 2006)
Randy Kluver, Nicholas Jankowski, Kirsten Foot, and Steven Schneider
(Editors), The Internet and National Elections: A Comparative Study of
Web Campaigning (Routledge, 2007)
Petra Kuppers, Disability and Contemporary Performance: Bodies on Edge
(Routledge, 2003)
Geert Lovink, Dark Fiber: Tracking Critical Internet Culture (MIT Press,
2003)
Peter Lunenfeld (Author) and Mieke Gerritzen (Designer), User:
InfoTechnoDemo (MIT Press, 2005)
Milton L. Mueller, Ruling the Root: Internet Governance and the Taming
of Cyberspace (MIT Press, 2004)
Ned Rossiter, Organized Networks: Media Theory, Creative Labour, New
Institutions (NAi Publishers, 2007)
Nicholas Ruiz III, The Metaphysics of Capital (Intertheory, 2006)
Fred Turner, From Counterculture to Cyberculture: Stewart Brand, the
Whole Earth Network, and the Rise of Digital Utopianism (University of
Chicago Press, 2006)
McKenzie Wark, Gamer Theory (Harvard University Press, 2007)
David Weinberger, Everything Is Miscellaneous: The Power of the New
Digital Disorder (Times Books, 2007)
Darren Wershler-Henry, The Iron Whim: A Fragmented History of
Typewriting (Cornell University Press, 2007)
Michele White, The Body and the Screen: Theories of Internet
Spectatorship (MIT Press, 2006)
Monica T. Whitty, Andrea J. Baker and James A. Inman (Editors), Online
Matchmaking (Palgrave, 2007)
Monica T. Whitty and Adrian N. Carr, Cyberspace Romance: The Psychology
of Online Relationships (Palgrave Macmillan, 2006)
Michele A. Willson, Technically Together: Rethinking Community Within
Techno-society (Peter Lang Publishing, 2006)
***
david silver
http://silverinsf.blogspot.com/
Via: Myriam Thyes
.
> -deadline: August 30, 2007
> -titel: Flag Metamorphoses
> -Discipline: participatory project, flash animation series.
> -Target group: every one.
> -offered program: regular presentations in festivals, exhibitions and screenings.
> -Paid by artist: nothing (only own working time).
> -Paid by host: all organisational costs for the presentations.
> -Further info:
next presentation: URBAN SCREENS Conference, Manchester (UK), October 2007,
Flag Metamorphoses on BBC outdoor screens!
> -web adress: www.flag-metamorphoses.net
> -e-mail address: myriam@thyes.com
> -location:
project coordination: Myriam Thyes, Dusseldorf, Germany.
Presentations: all over the world.
Via: "=?ISO-8859-1?Q?Bj=F8rn_Magnhild=F8en?="
.
EVENT: Chyphertext Performance
TAGS: networked writing performance
AUTHOR: Bjørn Magnhildøen/noemata
TIME: May 23, around 22h - 23h (CEST)
OFFLINE: Le Cube, Paris - http://www.lesiteducube.com/
ONLINE: http://noemata.anart.no/cp/
/
This is an networked writing performance that consists of a hybrid of
human/machinated real-time writing and reading. The writing is
performed by
1) plain computer keyboard writing,
2) server-based machinated, algorithmic writing,
3) interactions from from readers online,
4) text feeds from the processes surrounding the writing (like system
monitoring, net connection monitoring, ftp logging, website hit
statistics logs, etc),
5) data transformation - the writing is transcribed into streaming
music as midi-event, and the images are transcribed as text/code and
then into music.
All this semi real-time, the lag can be some seconds from input to
output. The format of the writing is plaintext, ciphertext/code, and
hypertext. For convenience the performance is streamed over the web in
a regular browser. The piece is made especially for the e-Poetry 2007
festival.
Both these chyphertext- and plaintext performance pieces are parts of
a project called 'protocol performance' that i will be doing from
remote through 2007. Protocol performance and then Chyphertext
Performance is supported by the Norwegian Cultural Council, Art and
Digital Technology. Also thanks to Atelier Nord for hosting noemata
and the event on the server.
- Bjørn
References
* @ E-poetry 2007
URL: http://www.epoetry2007.net/artists/oeuvres/bjorn/bjorn.html
* CV:
URL: http://noemata.anart.no/puh/cv.html
* Plaintext performance:
October, 2006. Plaintext Performance. @ Tate Modern, London, e and eye - art and
poetry between the electronic and the visual. Organised by Penny
Florence and Tim Mathews, with John Cayley. Curated by Charles Baldwin
and Alan Sondheim. URL:
http://www.tate.org.uk/modern/eventseducation/talksdiscussions/6703.htm
- http://web.mac.com/shadoof/iWeb/eandeye/ -
http://noemata.anart.no/pp/transcript/eandeye/
A transcript of the Plaintext Performance at Tate Modern is available at:
URL: http://noemata.anart.no/pp/transcript/eandeye/Plaintext%20Performance%20-%20Bj%F8rn.Magnhild%F8en-noemata.html
Short URL: http://tinyurl.com/2gvnq6
-
September, 2006. Plaintext Performance. @ BIOS symposium, West
Virginia University.
Hosted by the Center for Literary Computing and the Division of Art at
West Virginia University. Part of the E-Poetry Symposia and Festivals.
Co-organized with the Electronic Poetry Center and Digital Media Studies
Program (SUNY-Buffalo). Curated by Charles Baldwin and Alan Sondheim.
URL: http://www.clc.wvu.edu - http://clc.as.wvu.edu:8080/clc//bios_flyer
- http://noemata.anart.no/pp/transcript/BIOS/
* CEST = central european summer time = UTC/GMT +2 hours.
In other timezones the performance will be:
England: 21:00 - 22:00 (UTC +1)
US Westcoast: 13:00 - 14:00 (UTC -7)
US Eastcoast: 16:00 - 17:00 (UTC -4)
Australia: 06:00 - 07:00 (UTC +10)
(see eg. http://www.timeanddate.com/worldclock/ )
